about
Find out more about us here
about us
Islington Choral Society is a friendly non-auditioned community choir based in Islington, north London. We enjoy the challenge of exploring our rich choral heritage in a fun, relaxed and supportive environment. We rehearse every Tuesday night during term-time at Highbury Roundhouse, 71 Ronalds Road. London N5 1XB.
We usually perform concerts 3 times a year at a range of venues including Sinfonia Smith Square, Cadogan Hall, St Andrew Holborn and LSO St Luke's. In some years, we may also perform a Christmas carol concert and, every other year, we go on tour abroad, usually around the first May bank holiday, and most recently to Spain.
Our musical repertoire is varied and aims to include both the famous and some of the less well-known choral works. Recent concerts have included Durufle's Requiem, Karl Jenkins' The Armed Man: A Mass For Peace, Mendelssohn's Elijah, Mozart's Mass in C Minor, Will Todd's Mass in Blue, Rutter's Feel the Spirit and Vaughan Williams' A Sea Symphony. Our forthcoming repertoire is listed on our Events page.
We welcome enthusiastic singers of all ages and voice types. If you’re interested in joining the choir you can find details here.
our team
Michael Waldron
Musical Director
Michael Waldron has been the Conductor and Musical Director of Islington Choral Society since 2017, directing the choir's busy schedule of rehearsals, concerts and tours. He is also founder and Artistic Director of the London Choral Sinfonia, and has worked with many of the top choirs and orchestras in the UK and beyond, including the Philharmonia Orchestra, Hamburg Symphony Orchestra, Royal Philharmonia Orchestra, Britten Sinfonia, Academy of Ancient Music, the Orchestra of the Age of Enlightenment, Polyphony, London Mozart Players, Holst Singers and City of London Choir. He is Artistic Director of London Lyric Opera and Musical Director of the Epworth Choir.
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His debut album release with the London Choral Sinfonia, O Holy Night, was selected by the Guardian as one of their top Christmas albums. Together with the LCS, he has since embarked on a multi-album project for Orchid Classics, recording orchestral and choral music by Richard Pantcheff. The LCS' latest release is Francis Grier's Sword in the Soul, a modern telling of the Good Friday story with words by Rowan Williams, narrated by Sir Simons Callow and Samantha Bond. Their CD Colourise features a previously unrecorded cantata by Lennox Berkeley and the first recording of Vaughan Williams' Five Mystical Songs in an original chamber orchestrations. Colourise was awarded 5 stars by BBC Music Magazine and was selected by The Times as one of their Best Albums of 2022. June sees the release of their recording of works by Samuel Coleridge-Taylor.
Michael’s highlights this year include conducting Gilbert and Sullivan’s HMS Pinafore at Buxton Opera Festival, Jonathan Dove’s Alice’s Adventures in Wonderland for Iford Opera and Carlos Acosta’s critically-acclaimed On Before, and a term as Acting Director of Music with the Choir of Trinity College, Cambridge. His recent work has included concerts with Polyphony as part of the Swansea Festival; Britten’s St Nicolas at the Dartington International Festival; Humperdink’s Hansel and Gretel for Iford Opera; workshops for the Royal Opera House; Elgar’s Cello Concerto, Brahms’ Ein Deutsches Requiem and Rachmaninoff’s 2nd Symphony with Tonbridge Philharmonic; and an all-America programme with the Royal Philharmonic Orchestra and City of London Choir.
Michael’s operatic work has included Opera Della Luna’s critically-acclaimed production of Monckton’s The Arcadians; Gilbert and Sullivan’s HMS Pinafore at Wilton’s Music Hall; Verdi’s La Traviata for Go Opera; and a Channel 4 film of Handel arias for London Lyric Operaription text goes here
Ben Markovic
Assistant Musical Director
Ben is a freelance pianist, organist and teacher. He is Organist and Director of Music at St Mary Magdalene, Windmill Hill, where he conducts and accompanies the parish choir and is currently setting up a new youth choir. He is also the Organ Scholar at St Stephen’s, Walbrook with St Martins-in-the-Fields, where he accompanies the Choral Scholars and Chamber Choir. He has previously held posts at Worcester Cathedral and St John the Baptist, Chipping Barnet. Ben read Music at Queens’ College, Cambridge, where he held the Aliki Vatikioti Senior Organ Scholarship, the Beament Prize and the Michael Williamson Instrumental Scholarship. He was an accompanist on the Sir Arthur Bliss Lieder Scheme 2022/3, where he has coaching from Joseph Middleton and performed in masterclasses with Sir Thomas Allen and Ailish Tynan. He is continuing his studies with Michael Dussek (piano) and Katelyn Emerson (organ). He recently worked as a pianist with the National Children’s Choir of Great Britain and for the Rodolfus Foundation. A Fellow of the Royal College of Organists, he also holds a Licentiateship of Trinity College London (in piano performance). He has given recitals at St John’s and Trinity Colleges, Cambridge, St Edmundsbury Cathedral and Birmingham Cathedral among others. He recently performed Schubert’s Die Schöne Müllerin at the Barnes Festival, with Laurence Williams singing Bass/Baritone.
committee and trustees
Following the Annual General Meeting, the members of the committee for 2024-5 are:
Gill Andrews, Librarian
Vanessa Easlea, Tour
Vanessa Hall-Smith, Treasurer
Luke Henderson
Tim Maby
Roger Miles
Helen Mills
Ruth Pyatt, Secretary
Kim Randall, Chair
Alison Rice
Frances Sawtell, Membership
The choir has 3 Trustees, 2 of whom must be committee members and one of whom must be a member of the choir not serving on the committee. Tricia George is the Member Trustee.
The Trustees from the Committee are Kim Randall and Ruth Platt.
The Choir’s officers are:
Kim Randall, Chair
Ruth Pyatt, Secretary
Vanessa Hall-Smith, Treasurer
Please feel free to contact us with any questions.
The choir’s Constitution is available here ICS Constitution as amended at AGM March 2005 to view or download and print. (PDF file)
choral scholars
Alexandra Cooper
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Alexandra is currently studying for her Masters of Performance at the Royal College of Music, under tenor Tim Evans-Jones, where she is the Stephen Catto Memorial Scholar. Prior to this, she completed her Bachelor of Music at the RCM, under soprano Patricia Rozario, as the Douglas and Hilda Simmonds Scholar. Performance credits include: Ensemble for Jonathan Dove’s Flight with the RCM Opera Studio directed by Jeremy Sams; Semi-Chorus for Vaughan Williams' A Sea Symphony (conducted by the late Sir Andrew Davis) and Lili Boulanger’s Psaume 130 with the RCM Symphony Orchestra; Venus and Adonis by John Blow conducted by Ashley Solomon. She was part of the RCM Chamber Choir at Classic FM’s Carol Concert of the Year 2022 and was a finalist at the 2023 Charles Wood Song competition. In RCM Opera scenes, she has performed Euridice in Monteverdi’s L’Orfeo, Damigella in Monterverdi’s L’Incoronazione di Poppea, Laetitia in Menotti’s The Old Maid and the Thief, and Rosmene in Handel’s Imeneo. Before attending the RCM, Alexandra was a scholar at the Junior Royal Birmingham Conservatoire, where she studied with soprano Anne Dawson and was awarded the Peter Vernon Vocal Prize by tenor Julian Pike.
Michael’s highlights this year include conducting Gilbert and Sullivan’s HMS Pinafore at Buxton Opera Festival, Jonathan Dove’s Alice’s Adventures in Wonderland for Iford Opera and Carlos Acosta’s critically-acclaimed On Before, and a term as Acting Director of Music with the Choir of Trinity College, Cambridge. His recent work has included concerts with Polyphony as part of the Swansea Festival; Britten’s St Nicolas at the Dartington International Festival; Humperdink’s Hansel and Gretel for Iford Opera; workshops for the Royal Opera House; Elgar’s Cello Concerto, Brahms’ Ein Deutsches Requiem and Rachmaninoff’s 2nd Symphony with Tonbridge Philharmonic; and an all-America programme with the Royal Philharmonic Orchestra and City of London Choir.
Michael’s operatic work has included Opera Della Luna’s critically-acclaimed production of Monckton’s The Arcadians; Gilbert and Sullivan’s HMS Pinafore at Wilton’s Music Hall; Verdi’s La Traviata for Go Opera; and a Channel 4 film of Handel arias for London Lyric Operaription text goes here
Roshan Patel
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Roshan is a London-based tenor who began his singing career as a chorister at Guildford Cathedral. He went on to read Natural Sciences at Cambridge University, where he sang with The Choir of Trinity College under Stephen Layton. Highlights included the choir’s annual performances of Bach’s Christmas Oratorio from memory, and the 2022 filming and recording of Duruflé’s Requiem in Saint-Eustache Church, Paris. He presided over the a cappella group Cadenza and choral ensemble King Henry’s VIII and sang in various Bach cantatas and solo recitals in his final year. When he isn’t singing, Roshan can be found working as a trainee patent attorney at Carpmaels & Ransford LLP.
Megan Webb
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Megan started singing at the age of 15 with Berkshire Youth Choir, Rodolfus Choir and as a Choral Scholar at All Saints' Church, Wokingham. This lead her to read for a BA in Music at the University of Cambridge, during which she held a variety of positions in the university’s collegiate choirs, including The Choir of Queens' College, and performed regularly in student projects. Since graduating, Megan has enjoyed two years as the Eric Nye Alto Lay Clerk with the Choir of Clare College Cambridge. During her tenure, she has featured as a soloist for a wide range of performances and recordings, with highlights including Rachmaninoff's All-Night Vigil at Thaxted Festival, Monteverdi's Vespers of 1610 at Sinfonia Smith Square, and an upcoming album of unrecorded works by Palestrina. She is also building up a busy freelance portfolio, recently undertaking recoding and concert work with Laminates and the Academy of English Voices. She currently learns with Lynette Alcantara.
Luke Muschialli
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Luke is a recent graduate of St Catharine’s College, Cambridge, with an MPhil in Population Health Sciences, having previously studied a Bachelor’s in Medical Sciences at University College London. Luke has been a keen choral singer from an early age, and in recent years has refined his choral skills as a choral scholar at St Catharine’s, as well as in acclaimed choirs such as The Bach Choir and the Fourth Choir. Luke is also a strong solo performer, having led in both operatic and musical theatre roles throughout his time in Cambridge, with highlights including playing Frederic in Gilbert and Sullivan’s Pirates of Penzance at the Minack Theatre. Luke is excited to continue to develop as both a chorister and soloist, alongside his new role as a Research Assistant at the University College London Institute for Global Health.